by Matthew Friedman | 16 Mar 2017 | Essays
I came to avant-garde art music fairly early (and fairly easily), through the soundtrack album for Stanley Kubrick’s 2001: A Space Odyssey and my friendship with Robert Kermode. Robert had similarly obscure interests, and we played a game of trying to find the most...
by Matt Friedman | 11 Dec 2016 | News
After a much-longer than expected hiatus, No Sounds Are Forbidden will return on 18 December for a very special Avant-Garde Holiday Spectacular that will be, well… spectacular! With special guest Dr. Jill Rogers of University College Cork, Matthew Friedman will...
by Matt Friedman | 8 Aug 2016 | News
With summer coming to an end, and the new academic term in the offing, I will be taking a short break in the last few days of Summer. No Sounds Are Forbidden will return in September with new episodes, including a look at the postwar European avant-garde’s...
by Matt Friedman | 3 May 2016 | Essays
At the end Viktor Ullmann’s The Emperor of Atlantis, Kaiser Uberall accepts his fate: he will be the sacrifice which will restore the balance of life and death that his own arrogance and brutality so tragically upset. It is one of the most powerful moments in...
by Matt Friedman | 30 Apr 2016 | Reviews
I had just paid for an armful of LPs at Iris Records, my local vinyl emporium in Jersey City’s Village. I was turning to leave when Steve, sitting behind the stacks of records crowding around the cash, stopped me. He pulled a record from the pile “This just came...
by Matt Friedman | 17 Apr 2016 | Essays
Outrage flooded into the aisles of the Théâtre des Champs Elysées on the night of 29 May 1913, and spilled into the streets of Paris’s 8e Arrondissement. The premiere of Le Sacre du Printemps, a new ballet staged by Sergei Diaghilev’s Les Ballets Russes,...
